That Drifting Excrement Was Far Too Meaningful! These Are the Television Disappointments of the Past Year.

As we consider the television landscape of the past year, a selection of shows stand out not for their brilliance, but for their notable failures. From awkward spin-offs to confusingly poor docuseries, here are the programmes that had us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Burdened with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the third series started, it looked like it had finally found its groove. Then came an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the last series. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was just way too on-the-nose. Yet, fans undeniably had a hoot dissecting every single “wtf?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this drama's issues. The recipient of a very rare zero star review, it was hard to know where to start listing the flaws. The laughably wooden dialogue? The mind-numbing glorification of wealth and consumption? The almost wilful procession of tropes? Performances so bad they felt borderline malicious? Let’s just say “all of the above” and never speak of this show again. Except, a new season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Supercomputer Drama

Of course we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy figures meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a little dated now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing accents. But there were many other issues. Primarily that it was just really dull; a conflict over narcotics territory between various cockney picaresques which felt a bit basic.

With Love, Meghan

Considering the extent to which she provokes the ire of certain performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s televised forays into twee homemaking as deliberate statements. But then you view them and are compelled to concede that actually, they might have a point. It’s like watching a lifestyle catalogue animated; a meme for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with vocation, self-image, self-worth. But for whatever reason, this three-part series opted not to explore them. Rather, the viewing was akin to reading a marketing catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up reeking of a production that was straining desperately to live up to something far greater than it.

Too Much

How do you follow a show that captured a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of gifted younger comics, hopes were high. But unhappily, most of it fell flat. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated sensitively. Rather, the series laboured awkwardly to find the right tone, lurching from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a discovery that could destabilise society? Nope! This globe-trotting thriller about government agencies targeting – and killing off – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we wanted was way more interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to haul her son away from the queue. What we got was disturbing shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Frank Shannon
Frank Shannon

Tech enthusiast and digital lifestyle writer with a passion for reviewing gadgets and sharing innovative tech solutions.

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