This Floating Excrement Was Way Too Symbolic! It's the Television Letdowns of the Year.
As we consider the TV landscape of the recent year, a handful of shows emerge not for their brilliance, but for their notable shortcomings. From cringe-inducing spin-offs to bafflingly bad docuseries, here are the productions that left us scratching our heads or just reaching for the remote.
And Just Like That
Where to begin with this love/hate spin-off? Burdened with dreadful scripts, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the final season began, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the final season. It ended on a low point; the closeup of Miranda’s toilet full of poo was simply too symbolic. Yet, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who couldn't release a little sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? Of course she can’t.’
But that was practically the smallest of this show's problems. The subject of a very rare no-star review, it was hard to know where to start listing the flaws. The laughably leaden writing? The mind-numbing glorification of wealth and consumption? The almost wilful procession of cliches? Performances so poor they felt almost spiteful? Suffice it to say “all of the above” and never speak of this show again. Except, a new season has been commissioned, so we’re probably going to have to.
The Charlie Sheen Documentary
Given the legal troubles, abuse claims and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this multi-part docuseries which smirked its way at Sheen’s various bouts of self-destructive hedonism while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any pity this show might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.
The Iris Affair
Of course we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.
The Gangster Drama
Shady characters meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.
Actually, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were many other issues. Primarily that it was just profoundly boring; a dispute over narcotics territory between various cockney picaresques which felt a bit basic.
With Love, Meghan
Given the degree to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into twee homemaking as intentional statements. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark platitudes and pointless crafting “tips” you’ll forget instantly. All underpinned by immense, mostly undeserved wealth. Ugh.
Victoria Beckham
There are obviously interesting things to be discussed about both Victoria Beckham and her journey with career, identity, self-worth. But for some reason, this three-part series chose not to say them. Instead, the viewing was like consuming a marketing catalogue. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.
The Game Show
It had the potential to be the next cultural phenomenon – except even camper, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.
Too Much
How do you succeed a show that captured a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of famous friends involved felt uncomfortable.
The Sketch Show Return
Not good enough to be ‘uneven’.
Given the smart inclusion of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a while longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely breezy, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Very much so.
The Maths Genius Thriller
We love the star … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about secret services targeting – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality notorious for sexual escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to drag her son away from the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.